Archive for the 'romance' Category

28
Oct

Now I’ve finally done it

I’m sitting here watching The View and an interview with the actor who plays Dick Cheney in the new movie W.  I’m also thinking about the most pervasive question I get as an author:  where do you get your ideas.  Now I know you are wondering how exactly these two things intersect, so I’ll tell you.

Many, many, (many to the tenth power) years ago, I was young, adventuresome and caught in a downpour trying to get from Vineyard Haven where my cousin and I had gone to swim back to Oak Bluffs where we were staying (this is Martha’s Vineyard folks).  We had walked there but now we were soaked.  So my cousin decides what we really need to do is hitchhike the rest of the way.

Now, a few years back, when we were teenagers we’d hitchhiked as a group.  Our caveat was that we we only allowed to accept rides from little old ladies.  Yeah, we followed that.  But on this particular day I was convinced that no one was going to stop for two soaking wet women but an ax murderer with a gun under his seat.  You can see that at an early age I had a flair for murderous fantasy.

Still I wasn’t too worried since not a soul stopped for us . . . until a lone car slows and eventually stops in front of us.  The first thing I notice as we approach the car is that there is a baby seat in the back.  So okay, how bad could he be if he’s got a back seat stuffed with baby toys?  Still, as the two of us squeeze into the front seat, I tell my cousin to get in first since this was her idea.  If this guy starts anything I’m throwing myself from the car.

So we’re finally in and I’m so squished I can’t see who’s driving.  I can only hear his voice, which sounds oddly familiar.  He’s telling us about how he only stopped for us because he was lost and he was hoping we could tell him how to get back to where he was staying.

And it hits me who the voice belongs to.  I can’t see him, so I have to ask.  “I may be completely crazy, but are you Richard Dreyfuss?”  He laughs and says, “Yeah, and my hobby is picking up strange women in the rain.”  My cousin elbows me and tells me she was trying to play it cool.  Oh, well.

Well, we show him where to go, then he drops us off at our B&B (The Pequot, by the way, only two blocks).  We try to tell him how to get back to where he’s staying.  From the befuddled look he gave us we figured he’d be looking for some other drenched folks for further instruction.

The funny thing is, this happened a couple of years after Jaws was filmed on the island.  So it couldn’t have been his first time there.


But THAT is where I got the idea for my hero Jarad Naughton’s faulty sense of direction in Spellbound.

And, yes, I did climb the mountainside at Gay Head on a dare.  What the hell was I thinking?!?

22
Oct

It’s baaaaack–almost

Just when you thought it was safe to go back in the bookstore–my first book Spellbound is being reprinted this month by Parker Publishing.  Pay no attention to the wedding cake on the cover.  It’s not a story that ends in a wedding, but what happens when my heroine Ariel arrives on Martha’s Vineyard to attend her cousin’s wedding.  Let’s just say that I wanted the tagline on the book to be because every good bridesmaid deserves fun.  LOL

It’s a lighthearted romp around the island where I spent the summers of my misspent youth and where I started writing.  It’s the story that made me the debut Rising Star author at Romance in Color and the book that spawned the series that included Holding Out for a Hero, Lady in Red and the upcoming Forbidden Games.

If you’ve read this book and loved it, please share it with a friend (makes a great holiday gift).  And don’t forget to enter my new contest to win an autographed copy plus an iTunes gift card.

05
Aug

TSTL?

Romance writers are familiar with the concept of the TSTL (too stupid to live) heroine. You know her. She’s the one who rushes into the fray with only a can opener and a bottle of Gatorade. She hasn’t a clue and therefore the hero or some other character must continually rescue her from herself and other dangers.

Most readers are not too fond of the TSTL heroine unless she manages to redeem herself (or she’s Stephanie Plum–sorry, I couldn’t help myself), but since they’re only fictional folk, there’s not too much damage done, except to the psyches of the young girls who admire them.

But I was tooling around the blogosphere today and I happened on an article at the Women in Crime site talking about gullible real-life women who risk much to be with men who mistreat or kill them. Case in point: Sandra Boss and her daughter who was duped by a supposed Rockefeller, a man with no social security card, no job or history of having one, no real family. How the hell did this guy fool a supposedly smart woman duped into sharing their lives and their fortunes with reprobate men.

A big part of the equation is that these men don’t want you to know. They go to great lengths to preserve their con. This is their whole life and when it starts to unravel, they usually do one of two things–kill to cover their tracks or disappear. Luckily for little Reigh Rockefeller (now Boss) her dad chose the latter route even if he took her with him.

Conventional wisdom would suggest that there is something lacking in these women that these men pick up on and exploit. I would agree with that. When you consider that many of these type of love stories begin with the same formula: a whirlwind courtship followed by a quick marriage. Then the woman finds herself separated either emotionally or physically from her family and friends. It’s the same way many abusers and other predators behave: separate the weak one from the herd.

Another part of the equation is the pervasive sentiment that we women are still not complete without a man. We spout crazy statistics like we are more likely to get hit by lightning than to find that man after a certain age. Like a demented game of muscial chairs women are afraid to be the one left without a place to call their own. So, many close their eyes to signals anyone else would see. They don’t want to admit, until perhaps too late, that their (possibly) one shot at love isn’t who or what they claim to be.

But I think it’s also true that some folks take the fantasy of the romance novel and the movie theatre too literally. Some guy sweeps into their life and rather than being suspicious about why some man with millions wants ordinary ol’ you, you swoon. It’s not like Cinderella stories never happen, but more than likely the heroine ends up in divorce court trying to salvage some bit of her life, in a shallow grave–or, perhaps, my next novel. We’ll have to wait and see.

11
Jul

It’s heeeeere!

I finally got my author copies, and I must admit the book looks good–if I do say so myself. But I walked into my local Barnes and Noble and was disappointed not to find it. So I’m calling on you folks. Do me a favor and let me know if you spot it.

By the way, we got our first review from APOOO (at least the first review I’ve seen) Here’s how Sharel Love starts her 5-star review:

Soldier Boys is a wonderful book of short stories that pays great tribute to our servicemen, and lightens the heart with a story of romance and love.

And it only gets better from there. If you spot a review, please send it to Black Scarab Promotions. If you would like a copy of the book to review–and that includes blog reviewers–please e-mail D at Black Scarab Promotions with review copy in the subject line.

08
Jul

Guest blogger Patricia W (sorta)

I was over at Patricia Woodside’s blog and found a post that made me say yes, YES, YESSS! I teach a fair amount of writing courses, and I’d never seen a post anywhere that helped potential online participants (a) decide on which course to take; (b) how to behave once you sign up.

To Patricia I say, thank you, thank you, first for writing the post and second for allowing me to post it here and to feature it on my for writers page.

For more sage advice from Patricia, vist her blog. For now, enjoy her post on writing workshops.

Online Writing Classes, Do’s and Don’ts

I don’t know that anyone has ever published etiquette or guidelines for behavior related to taking online classes but I thought someone might find my observations and experiences helpful. So here’s my take on this:

First, the Don’ts:
Don’t take a class if you don’t have time for it.
Sure, you can get and print out the lessons but why not wait for a later time when you’ll be fully engaged? You and your fellow partiicipants will gain more from your full involvement. And, if there is limited class size, you won’t be taking up space that could be used by someone who’s ready to learn.

Don’t take a class and then share all the handouts with all of your writing buddies and critique partners.
Yes, the material was great and you just know all your writer friends will think so too. Encourage them to take the class. What did it cost you, 20 bucks? Support the instructor and class sponsor by encouraging others to enroll.

Don’t be afraid to participate.
You may find yourself in the company of other published writers, or at least a whole lot of folks who seem to know a lot more about this writing thing than you do. Don’t allow yourself to be intimidated! Sit at your desk, in your most comfy pjs, and jump right in! Ask questions, engage in discussions, and lend your support of the other class members, many of whom feel just like you.

Don’t take a class and assume you are now an expert on the subject.
This one can be difficult, especially if the material really resonated with you. Perhaps you really do have a deeper understanding of the subject mattter. Put it to work in your writing so that you can truly master it.

Don’t allow the class to overwhelm with what you don’t know.
Some of the classes are short, maybe only a week or two. At the end, you may feel no more enlightened than when you started. Keep studying until you hit the nugget of truth that helps you to get it.

Don’t assume what you just learned is the only way to approach the subject matter.
Writing is like baking a cake. There are many recipes, all of which result in delicious eating. If something doesn’t resonate with you, don’t bad mouth it. Realize you still got something out of the class. You learned what doesn’t work for you.

Don’t take the class as an opportunity to posit your own theory on the subject matter.
This is the instructor’s class, not yours. Input is certainly welcomed but don’t take up the instructor’s time nor that of your classmates, challenging every point the instructor makes. If you’re not truly interested in learning the subject matter as it’s being taught, or quickly discover that the class is not for you, simply bow out. Don’t try to hijack the course and change it into what you need it to be.

Now the Do’s…

  • DO seek class recommendations.
  • DO research the class and instructor before signing up.
  • DO register before the deadline.
  • DO devote reasonable time to the workshop.
  • DO complete the assignments.
  • DO engage in class discussions.
  • DO ask questions.
  • DO keep up with the pace of the class so your questions are timely.
  • DO network with other class participants.
  • DO use digest to manage the message volume.
  • DO print out or download the lessons and handouts.
  • DO soak up as much information as you can, keeping what will be helpful to you, and graciously discarding the rest.

Most of all, keep writing!

One last point. I find the majority of online classes are offered between January and September, with July being an “off” month due to the RWA convention. Plan accordingly.

Peace & Blessings,
PatriciaW
Stay focused. Move Forward. Believe.

03
Jun

Let sleeping bodies lie?

Almost two years after my second book in my Body series came out, two new and rather delicious reviews have surfaced. The first, posted at Michelle Lauren’s blog blew me away. The review was totally unexpected and absolutely wonderful. Here’s my favorite part:

Why I Love the Book
Must I count the ways? I haven’t read any mysteries/suspense novels for a long time, but when I received Body of Lies from Ms. Savoy I couldn’t put it down. Suspense is this author’s forte. This story kept me on the edge of my seat. The characters aren’t cardboard cutouts: Although Alex was victimized as a child, she is not a victim. Although Zachery broke her heart years ago, the author doesn’t vilify him. Both characters learn from their mistakes and become better individuals.”

Just as I was basking in the glow, I came upon another review from Reading While Black. Again I was surprised and pleased. Here’s my favorite part of that review:

“One thing I can say for Savoy is that she doesn’t hold punches. This isn’t your Disneyland version New York or of a serial killer. She didn’t hold back on the reality of violent, destructive forces and gut-wrenching circumstances that affect the lives of everyday, ordinary people–especially your average cop.”

Ah, if only I could manage to get the smile off my face.

22
May

Vibrant Voices: Debut Author Niambi Brown Davis

Today I am so pleased to have Niambi Brown Davis as our guest blogger today. Niambi’s debut novel, From Dusk to Dawn is out now from Parker Publishing. Niambi is one of my students from way back so I can vouch that her writing is simply delicious.


Niambi has written an appreciative note titled There Are More of Us to all the wonderful folks that helped paved the way in helping her get her book published. She will also be dropping in during the day to leave comments, answer questions and find out who and what you want to pay forward. Additionally, check out her blog to find out how you can enter to win tour prizes including the beach bag created by main character, Ayo, FREE BOOKS and a few other wonderful prizes. Click links to visit Niambi’s website and blog.
There Are More of Us…
As part of the Against All Odds Virtual Book Tour, I should be blogging about my debut novel, or something related to my book. But for good reason, I need to take a necessary break. You never know who or what you will meet on the journey to publication. Years ago, when I first joined the online literary world, I came across some skirmishes that could take their title from the movie “There Will Be Blood.” And on the same road, I encountered potholes, detours, a few wrecks and the carcasses of manuscripts that should never see the light of day.
At that same time, I was told by some that it was a closed world to a new writer - authors were unwilling to help, holding their information close to the vest in order to keep the competition at bay. Now, unless I am living in a parallel universe or just plain old Pollyanna, nothing could be farther from the truth - at least in my experience. At first, I was hesitant to ask a question of authors whose names I had seen on the best-sellers list; or editors and publishers of magazines who had already made a name for themselves in the literary community. But one day I ventured out with a few paragraphs and received praise tempered with advice. It was the beginning, but most definitely not the end of a great willingness by many to help a newbie get a foot in the door. One phone call led to an invaluable critique. Another to a long-term writing opportunity. And still another to information on the inner workings of the publishing industry. I would be remiss if I left out the sharing of names of editors and agents. From all of this came my debut “From Dusk to Dawn.” To say I am grateful is an understatement. And I will take my cue from another movie and “Pay It Forward.”
Whenever she would talk about the triumph of good over the not-so-good, my mother would say “there are more of us than there are of them.” As usual, she was right.
Today’s discussion questions:
When was the last time you experienced a random act of kindness…when you least expected it?
When was the last time you paid something forward? What was it?
In honor of May being Mother’s month, what’s the best piece of advice your mom ever gave you?
ABOUT Niambi Brown Davis:
Niambi was born in Philadelphia, Pennsylvania, and raised on the Eastern Shore of Maryland. She and her family lived for many years in Washington, DC and for three and a half years, made the Republic of Trinidad & Tobago their home.
She has written for Bronze Thrills, True Confessions and Black Romance Magazines. Niambi indulged her passion for sailing and travel by serving as publicist for the Black Boaters Summit and as a member of the National Association of Black Travel Writers. A script for her first digital novella has been accepted and published by Arrow Publications, LLC. Presently, Niambi writes for Travel Lady Magazine.
Aside from travel and writing, Niambi is an avid reader of historical fiction, and deeply involved in tracing the history of both branches of her family tree. Her day job is running the business of Sand & Silk / Soleful Strut, her own line of handcrafted bath and body products.

I hope you will give her work a try,. You won’t be disappointed.

03
Apr

Let’s Hear It for the Girls Redux


Those who know me know I’m a big fan of the romance heroine. In fact, my first agent wanted to represent my first book for that reason–most everyone else focused the story on the guy, not the girl. It’s not that I’ve got anything against the guys, but when it comes to telling a woman’s side of things, isn’t the best place for that a romance? If romances are supposedly written by, for, and about women, who do we still have to obsess about the man?

Angela T. over at Romancing the Blog asks roughly the same question. She’s comparing traditional romances, with their emphasis sometimes on male angst and the bumper crop of urban fantasies we’ve all been enjoying.

Despite the inherent differences between romance novels and urban fantasies, I feel there is room for complementary character arcs. And can we get rid of the word “bitch” regarding heroines who refuse to acquiesce to the hero’s journey?

Can I get an amen, folks? It puts me in mind of the end of the last movie of the second batch of Star Wars sagas (which is really the third story–damn George Lucas). I will NEVER watch another blessed thing the man makes after he took kick-ass QUEEN Amidala and turned into some wimpy-assed wuss that would allow herself to DIE, leaving her children to be raised by God only knows who, simply because the man she loved turned out to be a bastard. Come on, people. If every woman whose guy turned out to be a jerk wasted away the streets would be littered with female corpses.

Anyway, I digress. I’m still not over that travesty, but we’re talking romances here. Why can’t it be that both hero AND heroine have their own story arcs, their own desires, their own goals and let the man’s be subordinate for a change without him being a wimp and her being a, well, you know. I think it’s time we women allowed ourselves to be as unabashedly strong in fiction as we must be in our everyday lives without feeling the need to apologize for it or push the man out in front and say, but he’s the real hero. Like with anything else, if you don’t use it, you lose it and that includes our own impulses to see ourselves as heroic.

25
Mar

Hitting the nail on the head


I had planned to write a rather frivolous post about the hunks on Dancing with the Stars today–until I happened over to Dear Author. The day’s post about the trivialization of serious issues in romance intrigued me, since this has been a criticism of mine about the genre since I first started reading it. In romance, tragedy is often nothing more than a plot device to get the hero and heroine to a certain place in the story, without adequate consideration of what real impact such experiences have on people.

This is how the post starts out:

A legitimate criticism of romance as serious literature is it’s often cavalier treatment of important life topics. Too often, war, separation, human indignity, are treated as plot devices, conflict mechanisms, and not given the attention and treatment those important issues deserve. How many romance books are thought provoking? How many challenge your personal concepts of right and wrong? How many portray multi hued individuals as both heroic and villianous? Surely within the umbrella of the romance genre, there is room for these books.

I can’t argue with anything that is said here, which does not mean, in my opinion, that no romances deal with important issues head on, but, in my opinion, fewer than should do. In other words, if you’ve got a protagonist recovering from a bad marriage, missing child, breast cancer, rape, whatever, or you’ve got a character who’s a soldier or cop, nurse or counselor, they experience life in particular ways that are often glossed over rather than exploited properly for the verisimilitude of their story.

This to my mind doesn’t mean every story has to be heavy or heavy handed. However, if you’re going to bring up the heroine’s unkind personal history, or whatever, let the effects of it reverberate in her life on a deeper level than making her wary of the hero’s attentions. Almost any serious event injected into a character’s life produces a constellation of effects. These can be explored even if you do it in a less than grave way.

I know that I had a hard time writing my hero for Soldier Boys. The story was supposed to be light and airy, so I kept it that way as much as I could. However, the guys a freaking marine sniper, and after reading even minimally about these guys and giving him the background that I did, I knew I couldn’t divorce the story from the realities of the ongoing war and keep it in any way beleivable. So I didn’t. The result is a deeper story, I hope, even though it is also really, really hot. I’ve got my fingers crossed that it works.

But I also don’t think that romance is alone in glossing over serious events or issues. The more suspense and mystery I read, the more I become aware that every genre has its way of trivializing that which it isn’t prepared to deal with. Ever read a sex scene in your average testosterone-filled thriller? Either it’s one of those wham-bam- excuse me while I come, ma’am, deals where it’s over in two seconds (doesn’t say much for the hero if you ask me) or it’s the sappiest bit of crap that no romance writer could get away with in a million years.

The truth of it is, there is room for shades of gray in every genre: true exploration of the human psyche and human emotions in every genre; contemplation of right and wrong and just in every genre and when we gloss over it or exploit it not for what it is but what we want it to be, we do both ourselves and our readers an injustice.

18
Mar

Protaga-who?


On some list I belong to, talk turned to exactly how you define a protagonist, particularly in light of all the antiheroes becoming heroes these days. A similar discussion is hosted at Editorrent. My favorite part:

If we define the protagonist as “the character we root for,” then this presumes that the protagonist’s goals are always worthy. In the case of tragedies, they frequently are not. Really, did anyone actually want Oedipus to marry Jocasta?

My answer: not really. As for stories closer to my heart, she posits: And then there’s romance. Can a story ever really have two protagonists? I’m sure it can, but isn’t it nice to have someone talk about romance without scorn? A big NY hug for that.

I’m sure the discussion isn’t over, but if you want more insight, check out the post.





Get into your most comfortable reading chair, take off your shoes, turn off the phone and let Ms. Savoy's incredible talent take you away. --Debra Ross, Romance in Color

A skewed sense of humor has kept me sane through 10+ years of teaching and almost as many writing. I invite you to come in and look around. Leave a comment if you like. My goal is to leave you with a smile on your face and a few new thoughts to mull over. If you like the blog, please tell your friends. If not, tell your enemies.

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