Archive for the 'mystery/thriller' Category

05
Aug

TSTL?

Romance writers are familiar with the concept of the TSTL (too stupid to live) heroine. You know her. She’s the one who rushes into the fray with only a can opener and a bottle of Gatorade. She hasn’t a clue and therefore the hero or some other character must continually rescue her from herself and other dangers.

Most readers are not too fond of the TSTL heroine unless she manages to redeem herself (or she’s Stephanie Plum–sorry, I couldn’t help myself), but since they’re only fictional folk, there’s not too much damage done, except to the psyches of the young girls who admire them.

But I was tooling around the blogosphere today and I happened on an article at the Women in Crime site talking about gullible real-life women who risk much to be with men who mistreat or kill them. Case in point: Sandra Boss and her daughter who was duped by a supposed Rockefeller, a man with no social security card, no job or history of having one, no real family. How the hell did this guy fool a supposedly smart woman duped into sharing their lives and their fortunes with reprobate men.

A big part of the equation is that these men don’t want you to know. They go to great lengths to preserve their con. This is their whole life and when it starts to unravel, they usually do one of two things–kill to cover their tracks or disappear. Luckily for little Reigh Rockefeller (now Boss) her dad chose the latter route even if he took her with him.

Conventional wisdom would suggest that there is something lacking in these women that these men pick up on and exploit. I would agree with that. When you consider that many of these type of love stories begin with the same formula: a whirlwind courtship followed by a quick marriage. Then the woman finds herself separated either emotionally or physically from her family and friends. It’s the same way many abusers and other predators behave: separate the weak one from the herd.

Another part of the equation is the pervasive sentiment that we women are still not complete without a man. We spout crazy statistics like we are more likely to get hit by lightning than to find that man after a certain age. Like a demented game of muscial chairs women are afraid to be the one left without a place to call their own. So, many close their eyes to signals anyone else would see. They don’t want to admit, until perhaps too late, that their (possibly) one shot at love isn’t who or what they claim to be.

But I think it’s also true that some folks take the fantasy of the romance novel and the movie theatre too literally. Some guy sweeps into their life and rather than being suspicious about why some man with millions wants ordinary ol’ you, you swoon. It’s not like Cinderella stories never happen, but more than likely the heroine ends up in divorce court trying to salvage some bit of her life, in a shallow grave–or, perhaps, my next novel. We’ll have to wait and see.

21
Jun

Action? Affirmative.


The release of Jeffrey Deaver’s latest tome has got me thinking why, in principal, I like Alex Cross a lot more than Lincoln Rhyme. Let me start by saying that I’ve never read a Rhyme book. Deaver’s quadriplegic hero came across my radar when Denzel Washinton played him in The Bone Collector, opposite Angelina Jolie. Now we’re not going to get into what I think of the (not-so fair) Angelina, but you’d think any character played by the inimitable Denzel would win my favor. What killed the drool factor was Rhyme’s confinement to bed, and not in a good way. It struck me as too close a metaphor for what often happens to black men in American society–mentally competent but handicapped by a populace afraid of their physical prowess. And it really, really doesn’t help that the woman he’s forever denied, on a sexual level, at least, is white.

Although Deaver won an award for the creation of this creating this character and presenting a great role model for handicapped folks, proving they can be productive members of society. I’d guess, though, that there is a more pressing need in society for black men to be seen as cerebral, competent, active and sensual–without cutting the legs out from under them in either a literal or figurative way.

By contrast, Alex Cross is an active man who gets the girl he wants (who just happens to be black), a school teacher (or is it principal–either way she’s an educator, so I’m biased), has a family he takes care of, and is in general an honorable man. Aside from the near-tragic casting of Morgan Freeman as his movie persona, he’s pretty terrific. Or he was. I haven’t kept up with Cross as much as I would have liked to.

Truthfully, I’m all for breaking down barriers, for portraying us humans in all our infinite variety. Just sometimes there seems to be a certain awareness of what these images might imply. This isn’t limited to the way black men are portrayed, though that issue is on my mind at the moment. Don’t get me started with the pairings of old, half-dead geezers with sweet young things everywhere, as if women drop off the face of the earth once they hit thirty-five.

In my own work, I’ve written about men and women, blacks and whites, whoever–and I know what it’s like to be careful not to make the villains or the heroes too stereotypical.  Frankly I applaud folks for creating characters, especially heroes, out of people unlike themselves.  How about, give it a bit of thought before you create a character outside your comfort zone. That’s all I ask.  And a damn good story, of course.

11
Jun

Around the blogosphere

I’m crazy busy, still revising this site, writing, babysitting my new baby niece and all manner of other things. So rather than come up with my own post today, I’m sharing other folks’.

Let’s start with Crimesistahs, where Angela blogs about the latest survey from Sisters in Crime . It’s amazing what information you can find on the market if you just look around. I hadn’t realized the mystery was genre non grata until I read this post. From now on I write thrillers, dammit.

Next stop is Sarah Weinman’s blog. She steals a bit from an essay on suspense written by Thomas Perry for LA Weekly.

Suspense isn’t a pleasant sensation. We go to great lengths to manage our lives in ways that will keep us from having to go through periods of uncertainty — particularly when it’s prolonged, and when the stakes are high. But in reading fiction, especially a novel, we crave this sensation of increasing tension, and the higher the stakes, the better. We love the experience of sitting somewhere in perfect safety with a book while some character serves as our surrogate in facing a world full of danger. What we’re enjoying is growing excitement, followed by a tantalizingly delayed cathartic ending. It’s a quality of all good fiction, and it’s why the reader keeps turning the pages.

My response is exactly! I know that’s why I read and the experience I hope to engender in my work.

Weinman also posits that Perry is correct when he speculates that the literati aren’t enamored with suspense is “perhaps because [suspense] seems to stimulate emotion rather than intellect: It makes readers care rather than think.”

Isn’t that the mission of all genre fiction? To bring the reader into the world of the protagonists and make them feel what the characters feel? And perhaps that’s why romance is the most denegrated genre of all, since the character’s feelings play such a prominent role in the development of the story.

And finally, Patricia Woodside blogs about finding your literary voice.

Hope you enjoyed this mini-roundup. Now that the heat wave here in New York has broken, I’m actually going outside.





Get into your most comfortable reading chair, take off your shoes, turn off the phone and let Ms. Savoy's incredible talent take you away. --Debra Ross, Romance in Color

A skewed sense of humor has kept me sane through 10+ years of teaching and almost as many writing. I invite you to come in and look around. Leave a comment if you like. My goal is to leave you with a smile on your face and a few new thoughts to mull over. If you like the blog, please tell your friends. If not, tell your enemies.

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