Archive for the 'my work' Category



28
Jun
08

The freak in me

I have always been interested in the paranormal–things for which the five senses we credit ourselves with have no explanation. I couldn’t help it. With Halloween for a birthday, what else can you expect? I read tarot cards during my bohemian teenage years and to this day own a couple sets. In my dotage here I’ve finally started writing on the first book I’ve ever wanted to write–a story about witches and ancients and the fate of the earth. It’s damn slow going since it means so much to me, but most fulfilling.

It’s scary really–not because there are any spooks or goblins running around in the story, but because this book is something I haven’t found in a while–a true book of the heart. My first book, Spellbound (which will be reprinted in October by Parker Publishing), was my first book of the heart, a labor of love for the island (Martha’s Vineyard) that I loved, for the people who’d shared part of my youth (many of whom assumed they were someone in the story) and for the occult lover in me (are the women in this family witches? Only their familiar knows for sure).

As the average writer and they’ll tell you a book of the heart is a rare thing. If you’ve ever had the feeling that you were put on this earth to do a particular thing, that’s close to how a writer feels about that “heart” book. Or maybe it’s like salmon returning to their home stream to spawn–produce or die trying. But finishing this story feels like a biological imperative; the fingers to the keyboard are the labor pains.

Anyway, I’m back to writing now. But if you’ve got a book of the heart you’re working on, tell me a little bit about it. What makes it a book you just have to write?

16
Jun
08

Forbidden Games Cover Do Over

Originally, Forbidden Games was supposed to be published under the Arabesque imprint but got switched over to Kimani Romance. So a new cover was needed and here it is. Forbidden Games will be out in time for Valentine’s Day 2009. So, what do you think of the cover, folks?

09
Jun
08

Hit me baby (one more time)

Romance Slam Jam goes live once again. The website is up already. Due to scheduling problems, I missed the last one. But I’m not going to miss the one in Cali. Hope you don’t either.

And just so you know, the picture is me receiving the very first Emma ever handed out by Ms. Emma Rogers herself. What a thrill!

06
Jun
08

And so it is

Some of you astute visitors may have noticed the addition of a couple of genres in the header. No, I haven’t sold something yet I haven’t told you about, but I’m working on projects in all those areas.

From my more esoteric pursuits, I’ve learned the best way to manifest something is to act and intend as if it is already so–some call that operating from the I AM consciousness (others call it wishful thinking)

Whatever you call it, I am seriously hoping to sell those projects. So I hope you’ll add your wishes to mine. Now, if only a few editors are listening . . .

03
Jun
08

Let sleeping bodies lie?

Almost two years after my second book in my Body series came out, two new and rather delicious reviews have surfaced. The first, posted at Michelle Lauren’s blog blew me away. The review was totally unexpected and absolutely wonderful. Here’s my favorite part:

Why I Love the Book
Must I count the ways? I haven’t read any mysteries/suspense novels for a long time, but when I received Body of Lies from Ms. Savoy I couldn’t put it down. Suspense is this author’s forte. This story kept me on the edge of my seat. The characters aren’t cardboard cutouts: Although Alex was victimized as a child, she is not a victim. Although Zachery broke her heart years ago, the author doesn’t vilify him. Both characters learn from their mistakes and become better individuals.”

Just as I was basking in the glow, I came upon another review from Reading While Black. Again I was surprised and pleased. Here’s my favorite part of that review:

“One thing I can say for Savoy is that she doesn’t hold punches. This isn’t your Disneyland version New York or of a serial killer. She didn’t hold back on the reality of violent, destructive forces and gut-wrenching circumstances that affect the lives of everyday, ordinary people–especially your average cop.”

Ah, if only I could manage to get the smile off my face.

25
Mar
08

Hitting the nail on the head


I had planned to write a rather frivolous post about the hunks on Dancing with the Stars today–until I happened over to Dear Author. The day’s post about the trivialization of serious issues in romance intrigued me, since this has been a criticism of mine about the genre since I first started reading it. In romance, tragedy is often nothing more than a plot device to get the hero and heroine to a certain place in the story, without adequate consideration of what real impact such experiences have on people.

This is how the post starts out:

A legitimate criticism of romance as serious literature is it’s often cavalier treatment of important life topics. Too often, war, separation, human indignity, are treated as plot devices, conflict mechanisms, and not given the attention and treatment those important issues deserve. How many romance books are thought provoking? How many challenge your personal concepts of right and wrong? How many portray multi hued individuals as both heroic and villianous? Surely within the umbrella of the romance genre, there is room for these books.

I can’t argue with anything that is said here, which does not mean, in my opinion, that no romances deal with important issues head on, but, in my opinion, fewer than should do. In other words, if you’ve got a protagonist recovering from a bad marriage, missing child, breast cancer, rape, whatever, or you’ve got a character who’s a soldier or cop, nurse or counselor, they experience life in particular ways that are often glossed over rather than exploited properly for the verisimilitude of their story.

This to my mind doesn’t mean every story has to be heavy or heavy handed. However, if you’re going to bring up the heroine’s unkind personal history, or whatever, let the effects of it reverberate in her life on a deeper level than making her wary of the hero’s attentions. Almost any serious event injected into a character’s life produces a constellation of effects. These can be explored even if you do it in a less than grave way.

I know that I had a hard time writing my hero for Soldier Boys. The story was supposed to be light and airy, so I kept it that way as much as I could. However, the guys a freaking marine sniper, and after reading even minimally about these guys and giving him the background that I did, I knew I couldn’t divorce the story from the realities of the ongoing war and keep it in any way beleivable. So I didn’t. The result is a deeper story, I hope, even though it is also really, really hot. I’ve got my fingers crossed that it works.

But I also don’t think that romance is alone in glossing over serious events or issues. The more suspense and mystery I read, the more I become aware that every genre has its way of trivializing that which it isn’t prepared to deal with. Ever read a sex scene in your average testosterone-filled thriller? Either it’s one of those wham-bam- excuse me while I come, ma’am, deals where it’s over in two seconds (doesn’t say much for the hero if you ask me) or it’s the sappiest bit of crap that no romance writer could get away with in a million years.

The truth of it is, there is room for shades of gray in every genre: true exploration of the human psyche and human emotions in every genre; contemplation of right and wrong and just in every genre and when we gloss over it or exploit it not for what it is but what we want it to be, we do both ourselves and our readers an injustice.

20
Mar
08

300

No, it’s not an action movie with sweaty hunky men, it’s my 300th post on this blog. In celebration of such, I’ve equipped the old girl with a new look, a new contest and a new poll. The new look you’re seeing already. Please drop me a note and tell me what you think. Be kind, though since I hooked up the graphic myself, lol.

You can find the poll on the sidebar about halfway down. As for the contest, any time you leave a comment you are entered into the contest for a $10. Amazon gift certificate (perfect for purchasing my June release Soldier Boys, but you didn’t hear that from me. The winner will be announced May 1, so please check back then for the announcement or make sure to include your email address in your post so I can contact you.

I hope you enjoy the new What I Know So Far . . . Have a happy spring!

11
Mar
08

More proof that testosterone in the wrong, um, hands, just leads to trouble


Here in New York State, we’re dealing with yet another scandal. Our governor, Eliot Spitzer was found to have been a patron of prostitutes in the Mayflower Hotel in Washington, DC. The same hotel has been linked to two infamous former Presidents: Kennedy held trysts there, while Lewinsky stayed there during Clinton’s impeachment trials. Maybe a smart guy would have picked a less notorious love nest for his clandestine meetings, but there you have it.

I never liked Spitzer, despite his squeaky clean reputation. He just didn’t do it for me and besides, there’s something about the word “spit” in a person’s name that gives me the willies. There are just some bodily functions I’d rather not know about. But what really disturbs me, particularly of late, is that it seems to be those people who campaign and win on their vows to clean up corruption are the very ones that are proven to be most deeply entrenched in it. I doubt I’m the only one on overload.

And now, from what I understand, Spitzer has no choice but to resign. What he did was similar to, but not quite the same, as other recent sex scandals. Not only did he deal with an organized prostitution ring (illegal) he flew one of said high-class hookers from NY to DC at his expense (very illegal). Just in case anyone forgot, the Mann Act, which bars the transport of young lovelies across state lines for a little suh-um suh-um, is still in effect.

Last I heard on the news, Spitzer may be trying to trade his resignation for a guarantee of no prosecution. I know I wouldn’t want to take that deal if I were the one able to prosecute him. Those who make their name exposing others ought to have to suffer the same kind of scrutiny themselves should they take a fall.

Two further ironies come out of this scandal, however. The first is that if Spitzer resigns, David Paterson, currently the Lt. Governor will become the first ever black Governor of the state of New York and only the third overall since Reconstruction. Paterson, who has been legally blind since infancy, would also be the first visually impaired person to preside over the folks in Albany. Aside from that, he’s credited with being a true man of integrity who can reach across the divide that is NY State politics to get everyone to get along. Sounds like there’s no downside to this deal to me.

The second is that Spitzer was a superdelegate pledged to Hilary Clinton at the upcoming convention. The old girl can’t get a break can she? Well, Paterson has also been in her corner, though I don’t know if he is a superdelegate or if superdelegatedom is transferable thataway.

Now I know I pledged to keep this blog more about the writing, so I don’t want to leave out that connection either. I was having trouble figuring out the crime and the motive for the crime for a romantic suspense I’m working on. Usually with RS, the crime sort of comes first, then the characters, then more details. For this one, the characters came first so I was like, okay folks, what’s going on? And they were like, hey, you’re the writer. You tell us. This is the kind of rebelliousness I have to deal with. But anyway, I started thinking high-class hookers, hmm, I could do something with that. You’ve got to take your inspiration where you can get it, right?

18
Feb
08

Random thoughts on the upcoming election and secondary characters (how’s that for a title)


I’m not going to discuss the Democratic end of the drowning pool, since the contest between Hillary and Barack I find simultaneously heartwarming and the most depressing bit of business I’ve seen in a long time. I was thinking of the Republican side, as in what is Mike Huckabee’s problem? Long after common sense says he can’t win, there he is. My take on it is that Huckabee looks at McCain’s age and figures if he can be enough of a pain in the butt he can give the old guy a heart attack and since he never withdrew like Romney, guess who’s the candidate? Talk about a spoiler!

Maybe not. Maybe that’s a political thriller I’d like to read. But here’s the point I’ve really been pondering–it’s obvious what’s in it for Huckabee for him to stay in the race, but what about McCain? Why doesn’t he get someone in the party to thump Huckabee on his hard head and tell him to sit down?

That’s what I pondered (okay, thought about it once or twice) until I was watching the political shows this Sunday morning. I think it was on the McLaughlin group where someone posited that McCain needs Huckabee to stick around to keep his name in the newspapers the same way Clinton and Obama act to generate press for themselves and each other.

I can buy that. As an author I can appreciate the use of a good foil. Using one character to illuminate the character of another is as pervasive as having a title. However, how we make use of that foil can either enhance or detract from the story.

Most often in romance the foil is the best buddy, who can generally be more outrageous, outspoken or otherwise unsuitable to be the protagonist of that particular story (though they may come back somewhat sanitized in a story of their own). Foils work best when they are fully formed characters in their own right, or at least fully formed in the aspect that is being compared. Think of Hamlet and Laertes. Laertes is the obedient son and dutiful brother, while Hamlet stumbles around, unable to figure out if and it what way to avenge his own father. (Incidentally, if you haven’t seen the Gilligan’s Island Hamlet-a-go-go interpretation, it’s a must-see.)

Come to think of it, mysteries and other genre fiction works basically the same way, as well. Main characters are usually more conventional than their foils. Think Spenser and Hawk or Elvis Cole and Joe Pike. That’s just off the top of my head. There are probably better examples if I really think about it.

One thing is certain in my mind, especially if you are creating a series in which the same characters will appear more than once, you really need to do some analysis of not only each character but how they will relate together, what their relationship is, how it started, what each of them really wants from one another, etc. if you want that pairing to be dynamic and not fall flat. Just one more thing to think about while plotting and planning a novel. Oy!

15
Feb
08

I can kill that puppet in three whacks


Earlier today, I found myself in the unenviable position of watching a double dose of Family Feud. I hate to admit it, but I think I’ve seen every incarnation this show has offered–from pervie/creepie Richard Dawson to the suicidal guy whose name escapes me to the porcine Louie Anderson. Now we’ve got J. Peterman, I mean John O’something with the voice.

So the question comes up–what weapon could a murderer use to kill . . . drumroll please . . . Pinocchio. Pinocchio? First off, why is anyone contemplating killing fictional characters from Disney of all places? I could see if we were talking about wicked stepmothers. Who wouldn’t want to give Snow White’s step mama a thump on the head for unbridled vanity and poor wardrobe choice. But Pinocchio, whose only crime was trying too hard to fit in. Who’s next? Dumbo?

As you can imagine, this round quickly descended into the macabre. Chop him with an ax. Throw him in the wood chipper. Make him tell lies until his nose falls off. At least that last one didn’t make it onto the board. My favorite answer was the one I least expected–slow torture. Termites.

This doesn’t really have anything to do with writing except that it made me think of all the lengths mystery/suspense/thriller writers go to to have a, if not unique, interesting death occur in their stories. Murder can’t be mundane anymore, it’s got to have flair. Either the motive, the means or the murderer him/herself has got to have a bit of panache. And serial killers fuggedaboutit. I myself had my Amazon killer in Body of Lies who cut off the right breast of all his victims. oogie if you ask me, but others are far worse.

Just something to think about as I get back to my work for the day. In this one, the murder is quite ordinary, but what happens the next day when the body is found–that’s the doozy.

But nevermind that. Tell me, what’s your favorite fictional kill and why? But let’s leave the cartoons out of it this time.





Get into your most comfortable reading chair, take off your shoes, turn off the phone and let Ms. Savoy's incredible talent take you away. --Debra Ross, Romance in Color

A skewed sense of humor has kept me sane through 10+ years of teaching and almost as many writing. I invite you to come in and look around. Leave a comment if you like. My goal is to leave you with a smile on your face and a few new thoughts to mull over. If you like the blog, please tell your friends. If not, tell your enemies.

my current book

Spellbound Reprint out now!

So you never miss out again. . .

Subscribe in a reader

Or subscribe via email.

Add to Technorati Favorites
Books Blogs - BlogCatalog Blog Directory

That’s all folks!

website stat

What’s on my shelf


Follow

Get every new post delivered to your Inbox.